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          024-3132-0665

          2021Äê03ÔÂ05ÈÕд×÷ÕæÌâ²Î¿¼·¶ÎÄ

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          ¡°Report shows that it is increasingly expensive to keep museums open to public. Find the best way to fund museums among these funding possibilities¡ªgovernments, businesses, individuals.  


          Give reasons for your answer and include any relevant examples from your own knowledge or experience.¡±


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          ÀÏʦ±Ê¼Ç


          01


          Many museums have been faced with financial problems over the past years of recession and lagging economic recovery. As it is increasingly expensive to maintain museums, sufficient money must be raised from both government sources and private (either businesses or individuals) donations, in order to keep them open to public.


          ÔÚ¹ýÈ¥¼¸ÄêµÄ¾­¼ÃË¥Í˺ͻºÂýµÄ¾­¼Ã¸´ËÕÖУ¬Ðí¶à²©Îï¹Ý¶¼ÃæÁÙ×ŲÆÕþÎÊÌâ¡£ÓÉÓÚά³Ö²©Îï¹ÝµÄ·ÑÓÃÔ½À´Ô½¸ß£¬ÎªÊ¹ÆäÏò¹«ÖÚ¿ª·Å£¬±ØÐëÒª³ï¼¯×ã¹»µÄ×ʽ𣬲»¹ÜÊÇÀ´×ÔÕþ¸®À´Ô´»¹ÊÇ˽ÈË(ÆóÒµ»ò¸öÈË)¾è¿î¡£


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          £¨2£© be faced with... ÃæÁÙ......


          £¨3£© recession µ¹ÍË


          £¨4£© lagging ÂäºóµÄ£»»ºÂýµÄ


          £¨5£© maintain ά³Ö£»Î¬ÐÞ


          02


          Investment from governments must form a bigger proportion of the income of many museums at different levels. As a major way to fund museums, the public sector should always do more, and there may be no substitutes for the government support for museums, especially in the long-lasting financial crisis when that government support is more urgently needed. Although, in the face of such adversity, museums have shown great resilience and creativity in generating new sources of revenue, those troubled institutions can only be sustained with stronger government backing. Considering that museums preserve a country¡¯s collective memory for future generations, the importance of public funding in museums could never be overestimated.


          À´×ÔÕþ¸®µÄͶ×ʱØÐëÔÚ¸÷¼¶²©Îï¹ÝµÄÊÕÈëÖÐÕ¼¸ü´óµÄ±ÈÀý¡£×÷Ϊ×ÊÖú²©Îï¹ÝµÄÒ»ÖÖÖ÷Òª·½Ê½£¬¹«¹²²¿ÃÅÓ¦¸Ã×ÜÊÇ×öµÃ¸ü¶à£¬Õþ¸®¶Ô²©Îï¹ÝµÄÖ§³ÖÒ²ÐíÊÇÎÞ¿ÉÌæ´úµÄ£¬ÓÈÆäÊÇÔÚ³¤ÆÚµÄ½ðÈÚΣ»úÖУ¬¸üÆÈÇÐÐèÒªÕþ¸®µÄ²ÆÕþÖ§³Ö¡£¾¡¹ÜÃæ¶ÔÕâÑùµÄÀ§¾³£¬²©Îï¹ÝÔÚ»ñµÃеÄÊÕÈëÀ´Ô´·½Ãæ±íÏÖ³ö¼«´óµÄµ¯ÐԺʹ´ÔìÁ¦£¬µ«¶ÔÓÚÄÇЩÏÝÈëÀ§¾³µÄ»ú¹¹Ö»ÓÐÔÚÕþ¸®µÄÖ§³ÖϲÅÄÜά³ÖÏÂÈ¥¡£¿¼Âǵ½²©Îï¹ÝΪ×ÓËïºó´ú±£´æÒ»¸ö¹ú¼ÒµÄ¼¯Ìå¼ÇÒ䣬²©Îï¹Ý¹«¹²×ʽðµÄÖØÒªÐÔÔÙÔõô¹À¼ÆÒ²²»Îª¹ý¡£


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          £¨2£© proportion ²¿·Ö


          £¨3£© substitute Ìæ´úÆ·


          £¨4£© urgently ¼±ÆÈµØ


          £¨5£© adversity ²»ÀûµÄ»·¾³£»¶ÔÊÖ


          £¨6£© resilience µ¯ÐÔ


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          03


          Private donations also occupy an important part in keeping a museum, especially when government funding is limited. This way of funding can be done by providing money for new programs and spaces, as well as giving works of art as gifts to the museum¡¯s collections. The museums may in turn tailor themselves to the needs of the donors by affording certain privileges to them, including the right to use the museum¡¯s space to hold some special events such as promotion campaigns. This has given rise to complaints and worries in the general public that receiving individual donations may leave the museums ruined.


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          04


          In my view, among all the funding possibilities, government funding should always remain the best way of operating a museum, because it can ensure the maximum independence of the museum as an institution to educate the public. Donations from the private sector are necessary only when the museum cannot obtain sufficient support from the government and are acceptable only on the condition that they do not interfere with the public roles of the museum.


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